Construcción: "Solamente el curso posterior del análisis nos faculta para decidir si nuestras construcciones son correctas o inútiles. No pretendemos que una construcción sea más que una conjetura que espera examen, confirmación o rechazo. No pretendemos estar en lo cierto, no exigimos una aceptación... ni discutimos una negación. En resumen, nos comportamos como una figura familiar en una de las farsas de Nestroy: el criado que sólo tiene una respuesta en sus labios para toda pregunta u objeción: «Todo se aclarará en el curso de los acontecimientos futuros.» http://mediacionartistica.files.wordpress.com/2013/01/construcciones-en-el-analisis.pdf

lunes, 9 de agosto de 2010

monstruo externo o interno: sentidos o razón: estética o ética (chica & chico oops¡)

Kant: "man is sublime, woman is beautiful": resolvamos salvajemente: siendo la mirada autoral históricamente masculina: el chico ve a la chica "entera/bella [natural]", mientras se ve asimismo parcial/frontal>racional/trascendental...:
http://homepage.mac.com/lukewhite/sub_history.htm
"In Kant's theory of the sublime, we have something very different from Burke's. Burke seems to stress the immanence of the sublime: it is an irrational, emotional force, which "far from being produced by them, it anticipates our reasonings, and hurries us on by an irresistible force" (Burke, Part II, ch. 1) It is based in terror and self-preservation, and seems to involve an intensification of affect, rather than any kind of transcendence. For Kant, the sublime, is transcendent, rational, and reminds us of our 'higher' moral functions - it involves the lofty and the elevated, and seems to inscribe questions of value as central to the notion, whereas in Burke, although questions of value, morality and religion are not excluded, they do seem to become secondary. ...If Kant's 'transcendental Idealism' does manage to return to questions of value more convincingly than Burke's empiricism does, it situates questions of value in quite different - and decisively modern - terms. The value of the sublime is no longer at heart a matter of the ability to give us a glimpse of the divine; it now the transcendental nature of human reason which we glimpse in it." HALFOSTER&ROSALINDKRAUSS sobre sigloXX
Barnett Newman: Vir Heoricus Sublimis; Ana Mendieta: Isla.


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