

[A house with an ocean view, perfom. de M. Abramovic; 2 piezas de A. Boetti]

You cannot understand an intellectual or artistic project without also understanding its formation; that the relation between a project and a formation is always decisive; and that the emphasis of Cultural Studies is precisely that it engages with both, rather than specializing itself to one or the other. Indeed it is not concerned with a formation of which some project is an illustrative example, nor with a project which could be related to a formation understood as its context or its background. Project and formation in this sense are different ways of materializing–different ways, then, of describing–what is in fact a common disposition of energy and direction. This was, I think, the crucial theoretical invention that was made: the refusal to give priority to either the project or the formation–or, in older terms, the art or the society….These concepts [project, formation] are addressing not the relations between two separate entities, “art” and “society,” but processes which take these different material forms in social formations of a creative or a critical kind, or on the other hand the actual forms of artistic and intellectual work. http://philcsc.wordpress.com/page/6/ http://www.pagina12.com.ar/diario/elmundo/4-152345-2010-09-01.html
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que fuerte la obra de abramovic,
...y los comentarios de ese abogado
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